Sunday, 25 May 2008

Randy Crawford

Randy Crawford   
Artist: Randy Crawford

   Genre(s): 
Dance
   R&B: Soul
   Pop
   Rock
   Other
   



Discography:


The Ultimate Collection   
 The Ultimate Collection

   Year: 2005   
Tracks: 38


Play Mode   
 Play Mode

   Year: 2001   
Tracks: 13


Don't Say It's Over   
 Don't Say It's Over

   Year: 1999   
Tracks: 10


Abstract Emotions   
 Abstract Emotions

   Year: 1999   
Tracks: 10


The Very Best of Randy Crawford   
 The Very Best of Randy Crawford

   Year: 1998   
Tracks: 17


Naked and True   
 Naked and True

   Year: 1995   
Tracks: 11


Raw Silk   
 Raw Silk

   Year: 1994   
Tracks: 10


Now We May Begin   
 Now We May Begin

   Year: 1994   
Tracks: 8


Through the Eyes of Love   
 Through the Eyes of Love

   Year: 1992   
Tracks: 12


Rich and Poor   
 Rich and Poor

   Year: 1989   
Tracks: 11


Secret Combination   
 Secret Combination

   Year: 1988   
Tracks: 10


Every Kind of Mood: Randy, Randi, Randee   
 Every Kind of Mood: Randy, Randi, Randee

   Year:    
Tracks: 15




Randy Crawford's initial notoriety came from her fiery vocal on "Street Life," a 1979 birdsong co-ordinated her with the Crusaders that was included on the soundtrack for Burt Reynolds' film Sharky's Machine. Crawford was natural in Macon and grew up in Cincinnati; she worked in clubs as a teenager, accompanied by her founder. Crawford was lead singer in a group that included bassist Bootsy Collins ahead touring as George Benson's opening act in 1972. Cannonball Adderley invited her to babble on his LP Big Man. Crawford recorded "Don't Get Caught in Love's Triangle," a birdsong produced by Johnny Bristol, during a curt stay on the label. She presently moved to Warner Bros., and after "Street Life," recorded and toured Europe with the Crusaders. Crawford was tabbed Most Outstanding Performer at the 1980 Tokyo Music Festival. She remained with Warner Bros. through the '80s and early '90s, but was unable to score either a big R&B reach or major crossover smash, contempt having 1 of the most readily identifiable voices and distinctive approaches of whatever contemporary distaff vocaliser. She's been more successful abroad, peculiarly in England, where such singles as "Knock on Heaven's Door," "Showery Night in Georgia," and "Last Night at Danceland" have gotten universal hail.





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